A sharper lens on global cinema
A curated, data-driven view of the films that move the industry — built for professionals who need signal over noise.
GetMovie is an English-language box office intelligence platform covering the films that matter — new releases, festival breakouts, sleeper hits, and the franchises driving the global theatrical market. We don't aggregate everything; we curate what's worth watching.
The platform is a product of GET MEDIA Entertainment Business Solutions, an Istanbul-based entertainment business solutions company, with analysis methodology developed by Raporlama Fabrikası.
How we work
Curated, not crawled
Every film on GetMovie is editorially selected. No long tail, no clutter — just the titles industry professionals are tracking.
Data-driven
Metadata, ratings, and performance signals flow from public industry sources. We synthesize them into a single dashboard view per film.
Industry-aware
Our coverage anchors in box office reality — opening weekends, staying power, international roll-outs — not casual chatter.
Who reads us
- Distributors and acquisitions teams tracking comparable performance.
- Festival programmers and exhibitors scoping the global calendar.
- Trade journalists and analysts needing a quick, sourced baseline.
- Cinephiles who read Variety and Deadline but want a cleaner data layer.
We don't cover everything. We cover what moves the room.
The ecosystem
GetMovie is one product in a broader portfolio focused on entertainment, media, and analytics:
- GET MEDIA — Entertainment business solutions, advertising sales, and brand partnerships.
- Raporlama Fabrikası — B2B analytics methodology and editorial framework provider.
- Film Afişi — Turkish-language sister site; a high-volume cinema archive and cultural reference for the domestic audience.
- getbanner — Programmatic and direct advertising inventory across the GET MEDIA network.
Editorial standards
Box office figures are cited with their source (Variety, Deadline, Box Office Mojo, distributor press releases). Ratings and metadata come from public industry databases. Where we use AI to draft initial commentary, every published piece is reviewed and signed off editorially — published copy reflects human judgment, not automated output.
We correct errors quickly and visibly. If you spot one, write to us.
Get in touch
Editorial tips, partnership proposals, press inquiries, and corrections — all welcome on the contact page.
Curating cinema with the discipline of a trading floor — and the patience of a critic.